How to Publish a Book for Free

How to Publish a Book for Free 01

If you’re reading this page, it’s because you’re wondering how to publish a book for free. There are two valid options for you to choose from. One of them is completely free while the other is almost completely free—your only necessary cost being copy editing.

In 2014, I released How to Publish a Bestselling Book … and Sell it WORLDWIDE Based on Value, Not Price!. It compared the pros and cons of traditional (trade) publishing, self-publishing, and supported self-publishing. If you click on the title link above, you’ll find another link where you can “sneak a peek” inside the book to read those comparisons for free.

This book is still valid when it comes to paperbacks and hardcovers. To properly produce these types of books, you’ll require an experienced team of professionals: editor, graphic designer, proofreader, and indexer. A reputable book distributor, such as Ingram Content Group, will also be necessary to get your book into the “brick and mortar” bookstores. Alas, all these professional services cost money. So, the only way to publish “traditional bookstore books” in a way that will be free to you is through traditional (trade) publishing methods.

How to Publish a Book for Free … Almost

How to Publish a Book for Free 02

There is another way to publish a book almost completely free of charge. If you’re fine with self-publishing ebooks and selling them online exclusively, then you’re in luck. In fact, many of today’s independent (“indie”) authors are enjoying massive success with ebooks. Some of them are being signed by trade publishers due to their self-publishing success, while others are choosing to remain indie.

So long as you have your ebook copy edited by an experienced editor, you can produce a decent result on your own. For starters, ebook covers are less involved than physical book covers. You don’t have to worry about the back cover or spine—only the front cover. There are many free templates available online to help you create an attractive front cover. There are also free tools out there to help you convert your Microsoft Word manuscript into ebook format for publishing on Amazon and/or Kobo. The capabilities of both these ecommerce sites have come a long way since I wrote my other book in 2014. I publish ebooks to both of them regularly now.

How Are Today’s Indie Authors Succeeding Online?

If you’re like most writers, you don’t want to have to sell your books after you write them. You just want to move onto writing the next book. Am I right? Well, here’s some great news for you: writing is selling in the online world. The best way to sell books today is to utilize the power of search engines. Feed them new content on a consistent basis, and they’ll feed you more traffic.

This is what today’s indie authors are doing to succeed online: Profitable Publishing Today: Start Earning Money as an Author Without Quitting Your Day Job. The step-by-step instructions are all here including hyperlinks to all the free tools you’ll need for each step. There is also helpful advice contained within on how and where to find an affordable copy editor.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2019 Polished Publishing Group (PPG). All rights reserved.



Ash Borodin Discusses the Writing and Editing Process

I want to thank Ash Borodin and his editor, Elisa, for providing this unique guest post about the writing and editing processes for the PPG Publisher’s Blog. I smiled all the way through the below dialog and found myself nodding “yes” through much of it.

The creative process of writing a book takes on many different forms, as Ash discusses below, and the editing/ghostwriting processes require much patience and collaboration between two willing participants…

Ash Borodin on The Editing/Writing Process

CLICK ON IMAGE TO SHOP NOW

My name’s Ash and my debut novel is called The Jealous Flock. It’s about the parallel lives of unique individuals struggling to define their values and identity in relation to the major culture clash(es) the world is experiencing right now.

My name’s Elisa and I edited the Jealous Flock

Ash: Everything I do is experimental, including this interview (which we are collaborating on live through Google Docs). I can imagine I’m an editor’s worst nightmare…

Elisa: Yes, you can say that again.

Ash: Can you elaborate on that… On second thought, actually don’t. Well, give us a rough idea of one of the challenges.

Elisa: Well for starters, having the chapters written in no particular order, so I couldn’t really make sense of the story. And using speech to text didn’t always give the words you intended, so I had to guess what they might be.

Ash: Ah, yes, I’d forgotten about that. I think I had this general master plan in my head for what the final book should be but I had no idea how to weave it all together. So initially it was more just a bunch of short stories. And then I gradually wrote some bridging stories to connect the others and from there more changes had to be made. It really was a mess. I still think it was a pretty good mess, from my point of view, it was like a band improvising, each person takes a solo and the others fit in and react.

Elisa: I also found it strange to read when it was initially in present tense, and I told you it sounded like a play.

Ash: Well, in a sense it was. And when you said that, I thought – alright I’ll make it a play then. But that was more stubbornness than resolve on my part. I think it could easily be adapted to work as a screenplay and that’s something I keep in the back of my mind if the opportunity ever arises.

Elisa: I think it might lack the beautiful descriptions you have put into the writing though, and perhaps make it more bland.

Ash: Yeah, and in part it was vanity that spurred me on to rewrite the whole thing in past tense. I didn’t want to lose my poetic vision, my voice. But finding some way between the two extremes was a real challenge for me as a writer, this being my debut novel especially. Because I wrote a lot of it live – I method acted the lines through a voice-recorder – it had that zeal, the immediacy you only get from the spoken word and some of the intimacy of conversation. To then put that into past tense, well it felt like prostitution of my passion at first. I was really adverse to it.

Now I tell people the importance of having an active reader (or an editor, really) from the beginning. Because writing is one thing, but storytelling is really a higher level of writing and that involves connecting, relating to your audience.

Elisa: Yes, it is, but it’s a hell of a difficult thing to try and convince an author that he needs to make a change like this. Authors really don’t like criticism of any kind.

Ash Borodin

Ash: Not naming any names, of course….

Elisa: None at all. And by the way, just so people know, I’m editing your writing as we speak. That’s why there are no spelling mistakes.

Ash: Ha! What people don’t know is that you just wrote ‘smelling mistakes’ and I saw it!

Elisa: Yes, okay, you caught me, but I did fix it immediately.

Ash: I think if we were to work on a book again it would be much easier this time because we’ve both mellowed a lot. For those who came in late, Elisa and I are married. And in the 3 years since we wrote the book we’ve been through a lot personally and as a couple, and I think though we blow up at times under great stress, we are generally able to plan ahead for stress and compartmentalise it a lot better.

Elisa: Sometime a good yelling match is exactly what you need to release it all.

Ash: I know, yesterday’s was great. We called each other unprintable names. A good time was had by all…

Elisa: So, back to editing… another thing that was difficult to get a handle on was that each character used first person, which was really confusing during the editing.

Ash: I think I would do that differently now, but surprisingly no-one’s complained about it yet. Yet….

Elisa: I think it actually works… now.  Now that we have each character’s name in the title of each chapter (thanks to me).

Ash: Yeah that was a necessary evil I was forced to accept as well. I was trying to be so clever in my writing that the reader would intuitively know who the character speaking was – that this was now their perspective. But it was too high a bar for me and maybe an unnecessary bar at that.

Elisa: You can’t expect the reader to do too much work themselves.

Ash: Well that was probably the final thing I relented on. I wanted it to be more work than it eventually was – for the reader. I wanted them to really pay attention like one would with a textbook or work of philosophy. But in the end the need to relate overcame the desire to be very serious.

Ash Borodin’s book is available here:

https://www.amazon.co.uk/dp/B01NAPZWB8

http://ashleyborodin.weebly.com

© Ash Borodin 2017

All https://blog.polishedpublishinggroup.com guest posts from before 2017 were included in Diary of an Indie Blogger VOL 1 which can be downloaded from AmazonKobo, or E-Sentral free of charge. All other guest posts from the original PPG Publisher’s Blog have been moved here: https://polishedpublishinggroup.com/category/guest-bloggers/.




Book Trim Sizes: What Are Your Options?

book trim sizes

When it comes to book trim sizes, there are a few standards: 5″ x 8″, 5.5″ x 8.5″, and 6″ x 9″. These measurements relate to the width and height of your front and back covers in inches, as shown on the illustration to the right. This book has a 5″ x 8″ trim size.

Browse any bookstore, and you’ll see there are all kinds of different shapes and sizes of books to be found. Some of these books use a thick, glossy paper for their interior pages. Others use a thinner uncoated stock. In the traditional (trade) publishing world of corporate publishers with big budgets, they can afford to print large quantites of books on offset printing presses. This enables them to use any paper stock they want to use for their book covers and interiors. And if they want a uniquely-shaped book that stands out from the rest, they can pay to have special die cuts created to achieve that result.

As I discuss inside 3 Book Printing Tips for Indie Authors, today’s publishers (self-publishers) have more choices than we had when I started my publishing career 25 years ago. If you want to print 1,000+ books straightaway and pay the lowest possible cost per unit, you can still use offset printing. Alternatively, you can choose to print smaller quantities of books using two different digital printing solutions: print-on-demand (POD) and short run printing.

The Pros and Cons of Print-on-Demand (POD) Printing

Online worldwide book distributors, such as Amazon and Ingram Content Group, utilize POD and short run digital technologies to sell physical books online. In other words, they won’t print and store any physical copies of your paperback/hardcover book in a large warehouse anywhere. Instead, they’ll store only the digital cover and interior files that you’ve uploaded to their sites; and they will print, bind, and ship only as many copies as someone buys from them at any given time, saving you from having to print any upfront copies whatsoever. If someone goes to their site to buy ten copies of your book, then ten copies will be printed, bound, and shipped to that buyer. If another person buys only one, then they will print, bind, and ship only one—hence the term “print on demand.” This is a definite pro, isn’t it?

Now here are the cons: digital printers can only handle certain paper sizes and weights. Because of that, you’re limited to the following book trim sizes, binding types, and paper stocks/colours if you wish to sell your books online (which most of us do nowadays). The below specs come from Ingram Content Group’s Lightning Source® division.

Book Trim Sizes for POD Books With B/W Interiors

Trim Size Inches Trim Size mm Binding Types Available Page Range Paper Stock Priced as
5 x 8 203 x 127 perfect (paperback) 18 – 1200 white small
perfect (paperback) 18 – 1050 crème small
5.06 x 7.81 198 x 129 perfect (paperback) 18 – 1200 white small
5.25 x 8 203 x 133 perfect (paperback) 18 – 1200 white small
perfect (paperback) 18 – 1050 crème small
5.5 x 8.5 216 x 140 perfect (paperback) 18 – 1200 white small
perfect (paperback) 18 – 1050 crème small
case laminate (hardcover) 18 – 1050 crème small
cloth – blue or grey 18 – 1050 crème small
jacketed 18 – 1050 crème small
5.83 x 8.27 210 x 148 perfect (paperback) 18 – 1200 white small
perfect (paperback) 18 – 1050 crème small
6 x 9 229 x 152 perfect (paperback) 18 – 1200 white small
perfect (paperback) 18 – 1050 crème small
case laminate (hardcover) 18 – 1050 crème small
cloth – blue or grey 18 – 1050 crème small
jacketed 18 – 1050 crème small
6.14 x 9.21 234 x 156 perfect (paperback) 18 – 1200 white small
case laminate (hardcover) 18 – 1200 white small
cloth – blue or grey 18 – 1200 white small
jacketed 18 – 1200 white small
6.69 x 9.61 244 x 170 perfect (paperback) 18 – 1200 white small
7.44 x 9.69 246 x 189 perfect (paperback) 18 – 1200 white small
7.50 x 9.25 235 x 191 perfect (paperback) 18 – 1200 white small
7 x 10 254 x 178 perfect (paperback) 18 – 1200 white large
case laminate (hardcover) 18 – 1200 white large
8 x 10 254 x 203 perfect (paperback) 18 – 1200 white large
8.25 x 11 280 x 210 perfect (paperback) 18 – 1200 white large
8.268 x 11.693 (A4) 297 x 210 perfect (paperback) 18 – 1200 white large
8.5 x 11
(A4)
280 x 216 perfect (paperback)
case laminate (hardcover)
18 – 1200
18 – 1200
white
white
large
large

Book Trim Sizes for POD Books With Colour Interiors

Trim Size Inches Trim Size mm Binding Types Available Page Range Paper Stock Priced as
5.5 x 8.5 216 x 140 saddle-stitch (paperback) 4 – 48 white small
perfect (paperback) 24 – 480 white small
case laminate (hardcover) 24 – 480 white small
cloth – blue or grey 24 – 480 white small
jacketed 24 – 480 white small
6 x 9 229 x 152 saddle-stitch (paperback) 4 – 48 white medium
perfect (paperback) 24 – 480 white medium
case laminate (hardcover) 24 – 480 white medium
cloth – blue or grey 24 – 480 white medium
jacketed 24 – 480 white medium
6.14 x 9.21 234 x 156 saddle-stitch (paperback) 4 – 48 white medium
perfect (paperback) 24 – 480 white medium
case laminate (hardcover) 24 – 480 white medium
cloth – blue or grey 24 – 480 white medium
jacketed 24 – 480 white medium
7 X 10 254 X 178 saddle-stitch (paperback) 4 – 48 white large
perfect (paperback) 24 – 480 white large
case laminate (hardcover) 24 – 480 white large
8 X 10 254 X 203 saddle-stitch (paperback) 4 – 48 white large
perfect (paperback) 24 – 480 white large
case laminate (hardcover) 24 – 480 white large
8.5 x 8.5 216 x 216 saddle-stitch (paperback) 4 – 48 white medium
perfect (paperback) 24 – 480 white medium
8.5 x 11 280 x 216 saddle-stitch (paperback) 4 – 48 white large
perfect (paperback) 24 – 480 white large
case laminate (hardcover) 24 – 480 white large

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2019 Polished Publishing Group (PPG). All rights reserved.



Learning How To Write with Michael LaRocca

Learning How To Write with Michael LaRocca of MichaelEdits.com

As a student of Spanish, my goal was to think in Spanish. Skip the word-by-word translation so I’d have the necessary speed to speak and listen. I know words in Spanish that I’d be hard pressed to translate. Usually profanity, I confess. Chingow!

For years my students here in China have studied grammar, and know it better than you or I. They read. They write. But speaking involves moving faster than that. In conversation, we don’t have time to write it first and make sure it’s all grammatically flawless, then read it aloud, perhaps after a bit of rehearsal.

So, I try to give them a chance to practice putting words together on the fly, rules be damned. The rules they’ve internalized will kick in and keep them comprehensible, which will build their confidence in their ability to keep creating conversation that way.

Learning How To Write

This is not unlike what we go through as authors. First we study rulebooks, perhaps take some classes, and conclude just about everything we’re is doing is wrong. So many rules to memorize. We might dread sitting down to write with all those constraints.

But really, it’s not about memorizing rules at all. It’s about internalizing the rules, following them (or not if you prefer) without being consciously aware of what they are. They’re there, but in the background.

The story’s what matters. You’re supposed to be having fun, not “working.” At least not during the creation phase.

We don’t always take the time to say, “I’ve written ten active sentences in a row so maybe I’ll whip in a passive one now” or “I need a beat for every X lines of dialogue.” I published four novels and edited dozens more before I learned what a beat was. (It’s a pause so the reader can catch his/her breath.)

And, of course, since it is writing and not speaking, we can always go back and revise later. Then rely on editors to catch what we missed, or at least make us wonder why we wrote it this way instead of that way.

Some authors aren’t even consciously aware of “the rules.” They’ve never taken a class, never read a book about writing. They’re simply avid readers who one day decided to write. But they’ve internalized the rules. It comes from reading.

I’ve said it before and I’ll say it again. If you want to write, you must read. If you don’t like reading, maybe writing isn’t for you. It’s not about writing because you want to say, “I am a writer.” It’s about writing because you enjoy writing.

And, it’s really nice when you’ve been writing for a long time to go back and read a book about how to write. You might find one or two things to tweak in your technique, as opposed to a daunting laundry list of flaws. It’s much easier to internalize one or two new rules than 50 or 100.

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I’ve been paid to edit since 1991 and still love it, which has made people question my sanity, but they were doing that before I started editing. I got serious about my writing in 1978. Although I’ve retired more times than Brett Favre, I’m writing my 19th book. Learn more about me at MichaelEdits.com.

© Michael LaRocca 2019

Audiobooks: Your Own Voice or Someone Else’s?

Audiobooks: your own voice or someone else’s?

When in comes to audiobooks: your own voice or someone else’s? That’s the question. Many of today’s independent authors choose to convert their paperbacks/ebooks into audiobooks using free do-it-yourself tools like Audacity. But, for a more professional touch, you may want to hire a voice-over artist.

Audiobooks: Your Own Voice or Someone Else’s?

Audacity is a free tool you can use to convert your ebook to audio by recording yourself reading your book. According to a blog post titled “Should You Turn Your Book Into an Audiobook on Audible?” by Matt Stone, Audacity is a decent tool for do-it-yourselfers who want to produce an audiobook as cost effectively as possible:

It’s some trouble no doubt to do it yourself. But like anything else, once it’s done and behind you, it doesn’t seem like such a big deal. A decent audiobook can be created in about 40 hours (based on a 50,000 word book, much less for a shorter book), and really only requires a decent USB microphone (usually $50-100) and a free program called Audacity. That may not produce rock-your-socks-off audio quality, but it’s certainly enough to give your readers a positive listening experience, and enough to get you in the audiobook game. That is, of course, if you have a decent-sounding voice. (Stone, 2017)

Your alternative is to hire voice-over talent—which can be found from the long list of freelancers on Fiverr—to produce a professional, musically-scored audiobook for you. The site displays a long list of both male and female talent to choose from, at all different price points. And Fiverr has controls in place. They ensure you’re happy with the result before your funds are released to the freelancer as final payment.

The Choice is Yours

Whichever way you choose to convert your book to an audiobook is fine. It’s all up to you and your budget, of course. Once you’ve done it, you can upload the audio files to Audible, Amazon, and iTunes in one fell swoop via ACX, and begin selling your audiobook online. Or you can save the audio files on your own website or CD for direct distribution to your targeted clientele.

Sample audiobook with professional voice-over and music scoring:

Sample home-made audio using my iPhone recorder:

Related reading: [eLearning Industry] The Virtues Of eBooks And Audiobooks In eLearning

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2019 Polished Publishing Group (PPG). All rights reserved.



How Can I Get My Book Reviewed?

You may be wondering, “How can I get my book reviewed?” Different types of book reviews are available to help authors sell more books: unpaid traditional book reviews and paid online book reviews. Each has its own unique pros and cons. Both are effective tools for different reasons.

How Can I Get My Book Reviewed? [Unpaid Traditional Book Reviews]

Make sure to send out a few complimentary copies of your book to various relevant book reviewers in your area. This is a common custom among trade publishers that really should be adopted by self-publishing authors. Why? Because it is a great way to generate some extra publicity for your book.

The upside is that these reviews are free of charge in the sense that your only cost is the copy of your book and the postage to send it; however, the downside is that you’re not guaranteed a review after sending it. It’s at the discretion of the reviewer.

How can I get my book reviewed in Midwest Book Review?

Two types of unpaid traditional book reviews are available: one is the review that you send out ahead of time, known as an advance reading copy (ARC), to stir up interest in the book before publication; the other is a published review copy of the actual, final edited version of your book.

Advance Reading Copies (ARCs)

These unfinished review copies can be printed and mailed out as hard copy galleys or emailed as .PDF files. It is important to ensure they are stamped with the words “Advance Reading Copy (ARC)” on the front cover, and possibly also on every few pages of the interior, to ensure that the reviewer understands the copy is unedited so he or she takes that into account.

Published Review Copies

When sending a final published review copy to an editor, whether mailed as a hard copy or emailed as a .PDF, make sure to stamp “Review Copy” on the front cover of the book so it cannot be resold for profit. This also ensures that it will get to the right person at the newspaper or magazine to which you’re sending it for review.

How can I get my book reviewed in the Midwest Book Review Jim Cox Report?

A book review written by a respected reviewer within the literary community can do wonders to help boost book sales. It works in much the same way as other forms of publicity do. When shared via social media, a prize endorsement such as this can catch on as quickly as wildfire. It’s definitely worth the cost of a complimentary book or two.

How Can I Get My Book Reviewed? [Paid Online Book Reviews]

Paid online book reviews are a fantastic advertising tool for authors. They can aid you in your efforts to direct traffic to the storefront where your book is currently sold. As well, they can provide you with relevant content that can be shared via social media.

The upside to these types of reviews is that whereas you’re not guaranteed a review when you send a book to a traditional book reviewer, you are guaranteed a review when you pay for one from a non-traditional book reviewer. The downside is that you must pay for it.

Educational Resources for Authors

When completed by a reputable organization, these paid reviews are still unbiased reviews—which may be good or bad. Once the review is complete, you are given an opportunity to decline or approve it to be published online. If you decline it, you won’t get your money back; it simply won’t be shared publicly at your request. But if you approve it, it might be posted to that reviewer’s high-traffic website. Or, it could be posted to your book online.

A complimentary paid book review can boost your sales in much the same way a traditional review can. This can also improve your blog’s SEO. It is definitely worth the investment. To find links to the websites of various reviewers who may accept your book for review, click here and here and here.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2019 Polished Publishing Group (PPG). All rights reserved.



Get Book Reviews. Sell More Books.

Why would you want to get book reviews for each of your books? In today’s publishing world, it’s less about impressing readers and more about search engine optimization (SEO).

Get-Book-Reviews.-Sell-More-Books.

Get Book Reviews. Sell More Books.

In a search engine’s eyes, if your books have more legitimate reviews than other authors’ books within the same genre, your social media sites have more followers, and each of your webpages (e.g., each individual post on your blog, each individual book on Amazon or Kobo, et cetera) have more click-throughs, then you must have more expertise and authority than other authors have. As a result, you’ll rank higher than they do. It’s all based on algorithms.

But expertise and authority are not enough. In fact, trust is an increasingly strong ranking factor for search engines like Google. Positive book reviews can help to build that sense of trust around your author brand.

Positive, legitimate book reviews such as these can also be used to increase the number of relevant backlinks to a particular webpage. This is worthy of a higher ranking in Google’s eyes, too.

What is a backlink? In a nutshell, backlinks are incoming links to a webpage. Relevant backlinks can increase the SEO of a webpage while also bringing it more quality traffic. What constitutes quality traffic? It is relevant visitors to your website—people who are looking for exactly the type of books and information that you offer. That’s what you really want.

Master Google to Master SEO

Why would you want to master Google, in particular? This search engine powers over 76% of all Internet searches according to this June 2019 NetMarketShare report. The same report shows China’s Baidu as second in line at almost 10%; so, that tells you the power of Google in helping you to sell more books.

All you need now is some guidance regarding how to optimize your search engine ranking on Google, for all your major keywords, so your desired readers can easily find you. You can find that here.

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Successful Selling Tips for Introverted Authors

Successful Selling Tips for Introverted Authors

Successful Selling Tips for Introverted Authors Book Reviews

“To be blunt, this is a fantastic resource for authors. … Staflund provides an accessible, engaging, and clear-cut series of steps to follow to increase sales. With a friendly tone and personal anecdotes, the book feels like a face-to-face coaching session that can be re-read at any time.” ~Pacific Book Review

“I’m something of an introvert myself so I was interested to see whether or not I would feel that I could be pushed beyond what I found tolerable, but I felt that if I was doing this I would be well within my comfort zone. … I came away believing that if I wanted to promote a book I would have a simple plan of action which I would be able to follow.” ~The Bookbag

“Both lighthearted and full of informative, practical advice, this guide to marketing for introverted authors is a gem.” ~ForeWord Reviews, Clarion Review

Successful Selling Tips for Introverted Authors is a ‘must-have’ for every author. Highly recommended.” ~Wisconsin Bookwatch (a division of MBR)

“…a critically important instructional reference — especially for reluctant, bashful, or introverted authors. … Informed, informative, and thoroughly ‘user friendly’ from beginning to end, ‘Successful Selling Tips for Introverted Authors’ should be considered a mandatory study for every novice author seeking to establish themselves in an economically supporting career. Indeed, it would not be amiss if every one of those aforementioned creative writing classes and workshops would add ‘Successful Selling Tips for Introverted Authors’ to their curriculum supplemental studies reading lists.” ~Midwest Book Review, Jim Cox Report

“If You Are An Introverted Author, This Is THE Book To Read To Promote Your Book. … None of these techniques involve hard selling in any way. And for people who love to write, but hate to sell, these techniques are a perfect match.” ~Claude Whitacre

Learn how to get your own book reviewed here.

Learn why book reviews are great for your blog site’s SEO.

SNEAK A PEEK INSIDE THIS BOOK HERE.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2019 Polished Publishing Group (PPG). All rights reserved.



How to Publish a Bestselling Book … and Sell it WORLDWIDE Based on Value, Not Price!

How to Publish a Bestselling Book

How to Publish a Bestselling Book Book Reviews

“All facets of writing, publishing, and marketing are covered in this book through the voice of a publisher and entrepreneur, which gives Staflund’s book more credibility and value than many other guides on the market today.” ~Penn Book Review
** Penn Book Review by Elizabeth Smith-Gardiner, an academic writer and Communications professor currently teaching at the Texas A&M University (2014), who endorses How to Publish a Bestselling Book as future publishing course material. **

“…Staflund gives good advice and it’s remarkably far-reaching, considering that it covers several countries … [A]n enlightening, helpful book which gives you an excellent introduction to the business of publishing.” ~The Bookbag

“As a veteran of the publishing industry, Staflund certainly is an authoritative voice and provides helpful guidance in her newest book, How to Publish a Bestselling Book … [A] must-read for any writer hoping to publish their next book.” ~Hollywood Book Reviews

“Staflund’s respect for the writers at the heart of the publishing process makes this a worthwhile addition to any aspiring author’s bookshelf.” ~ForeWord Reviews, Clarion Review

“[T]here is a wealth of information within these pages. … Staflund holds nothing back, and because of that, How to Publish a Bestselling Book has the feel of a roadmap. Just follow it, and it will easily take you where you want to go.” ~Pacific Book Review

“…exceptional, practical, detailed, comprehensive, and thoroughly ‘user friendly’ from beginning to end.” ~Midwest Book Review

Learn how to get your own book reviewed here.

Learn why book reviews are great for your blog site’s SEO.

SNEAK A PEEK INSIDE THIS BOOK HERE.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2019 Polished Publishing Group (PPG). All rights reserved.



How to Publish a Book in Canada … and Sell Enough Copies to Make a Profit!

How to Publish a Book in Canada

How to Publish a Book in Canada Book Reviews

​“Staflund’s stated goal is to give Canadian authors insight into what it takes to produce a salable book in Canada, get it into the hands of the desired demographic, and earn a healthy profit in the process. In this, she has succeeded admirably.” ~ForeWord Reviews, Clarion Review

“A good source for writers of all experience levels seeking to publish quality books in Canada.” ~Kirkus Reviews

“This book is a real, and I mean real, learning tool … You will know how to do what the title states when you finish Kim Staflund’s book.” ~Palmetto Review

How to Publish a Book in Canada is a very instructive book for any author—in and out of Canada. Though the book is specifically for Canadian authors, writers from any country will gain insight from this book.” ~Pacific Book Review

“Staflund’s personal stories, humor, and examples throughout makes this book entertaining as well as instructional . . . How to Publish a Book in Canada is a great investment for future publishers—both in Canada and outside of Canada.” ~Penn Book Review

“This is the first book I’ve read where the author has put in a tremendous amount of research into the book … All writers must have a copy at the side of their writing desks.” ~Inkspand

Learn how to get your own book reviewed here.

Learn why book reviews are great for your blog site’s SEO.

SNEAK A PEEK INSIDE THIS BOOK HERE.

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As a user of this website, you are authorized only to view, copy, print, and distribute the documents on this website so long as: one (1) the document is used for informational purposes only; and two (2) any copy of the document (or portion thereof) includes the following copyright notice: Copyright © 2019 Polished Publishing Group (PPG). All rights reserved.